Product Description
The notion that Romantic poetry is mythopoeic has become one of our assumptions about the Romantic period. This study re-evaluates that assumption from a new perspective, that of genre criticism, and argues that myth functions as an effective critical term only when it is defined pragmatically as a genre. In this study, myth is defined as a text that projects a world structured around three components: supernatural beings, humans, and nature. Using this model, My… More >>
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